Church’s Holiday 2026 Campaign
“Snowed In”

A home with two friends, an abundance of presents and no particular urgency to leave. Warm, quietly mischievous and distinctly English in spirit, with art direction by David James and photography by Ben Weller, Church's Holiday 2026 campaign celebrates the pleasures of being together with loved ones this season. The story unfolds through five scenes of festive companionship, punctuated by an array of Church’s shoes.

At the front door, gift-giving becomes something of a balancing act, but both friends wear waxed Shire boots, a suitably assured foundation for a slightly precarious arrival, designed to be drawn close or folded down to reveal a soft wool tartan lining. Fetching firewood, she wears Poulton lace-up boots in fumé brushed leather, highlighted by contrasting laces, which bring a refined finish to the chilly business of being outdoors, while he sports a pair of Snow boots with hiking-inspired details.

Indoors, attention turns to the tree, with boxes of baubles and trailing ribbons. For her, the Rhea velvet ghillie brogue takes its cue from traditional Scottish kilt shoes; for him, patent leather Prince 2 Oxfords bring a polished counterpoint to the pleasantly disordered room. With the hard work more or less accomplished, a shared book offers an excellent excuse to sit down. Both friends slip into soft suede Peebles Fur loafers, borrowing from the familiar language of the penny loafer.

Later, fireside treats call for a change of shoes. Her Rika slippers in Cigar velvet bring warmth and a softly lustrous texture to the occasion, making the case for dressing up even when staying in. His Baron monk straps answer with semi-polished calfskin, and a sleek upper free of visible seams. Beneath that understated surface lie Goodyear-welted construction and a hand-dyed leather sole finished with hand-driven nails. A little ceremony, after all, need not require a dinner invitation.